Short captions, no essay. The whole night ran on one backlight and a lot of luck.
Saint Andrew’s Hall doesn’t give you much to work with — one backlight, a low ceiling, and a crowd that never stops moving. Most of the set got shot on instinct: find the beam, wait for a face to cross it, don’t blink.
No long write-up this time — just fourteen frames that held up after the edit, in the order they happened.